

In a little over a minute of Rogue One’s screen time though, Gareth Edwards was able to transform Darth Vader back into the galactic boogeyman once more. Throw in whiny Anakin from the Star Wars prequel trilogy, and Darth Vader's menace fades even further. Vader was one of cinema's greatest villains, but his evil reputation had to inevitably be diluted in order to tell his redemption story in Return of the Jedi. Again though, it's good fan service as it improves the character. Rogue One’s hallway scene is also Star Wars fan service in that it shows the audience something they've been waiting decades to see: Darth Vader in his prime, being a badass without mercy. Staring at their imminent death, the rebels still make sacrifices in order for hope to endure (with the final soldier at the door passing the plan through the gap personifying this hope). It’s also a visual example of Rogue One’s theme of hope, even in the face of impossible odds. It makes perfect sense in the Star Wars timeline, seamlessly bridging the gap between Rogue One and Star Wars: A New Hope. More than that though, Vader’s scene supports the story of the rebels obtaining the Death Star plans.
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When Whitta was shown Darth Vader's hallway scene, despite the lack of visual effects and music, and the wires being visible, he said that " even in that nascent form it was clear that it was going to straight-up murder audiences." Whitta’s comments are proof (if proof were needed), that while the Rogue One’s Darth Vader scene may be fan service, it works even without the cinematic flourishes that the finished movie displays. Related: Rogue One's Most Important Vader Scene Was Mustafar, Not The Hallway Chewie's medal in Star Wars: The Rise of Skywalker is a good example of this, while halfway through The Book of Boba Fettthe story essentially turns into The Mandalorian season 2.5, with extra Luke Skywalker for added effect. Good fan service though is able to have its cake and eat it too, and Darth Vader's Rogue One fight falls into this category. The Disney era of Star Wars in particular coming under heavy fire for its liberal use of fan service. To a cynic's mind, it preys on the easy target of a fan's nostalgia, at the expense of the actual story being told. Its detractors label fan service as nothing more than a tool used to please, placate and pander to those most passionate about the material. The term "fan service" is often met with derision. His praising comments on the impact of the scene serve to show that, despite the bad reputation that fan service receives, when it works, it is glorious. Rogue One's story co-writer Gary Whitta recalls director Gareth Edwards showing him a rough cut of Darth Vader's now-classic hallway fight with the helpless rebel soldiers.
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Fan service has always been a part of Star Wars, but the co-writer of Rogue One: A Star Wars Storyhas highlighted why Darth Vader's hallway scene is the perfect example of how to do it right.
